| Opening date
| Title
| Role
| Location
| Playwright
| Director
| Other main cast members ''
|
| February 25, 1935
| The Green Sash
| Giusta
| "Q" Theatre, London
| Debonnaire Sylvester and T. P. Wood
| Matthew Forsyth
| Kathleen Boutall and David Horne
|
| May 15, 1935
| The Mask of Virtue
| Henriette Duquesnoy
| Ambassadors Theatre, London
| Carl Sternheim and Ashley Dukes
| Maxwell Wray
| Jeanne de Casalis and Frank Cellier
|
| February 17, 1936
| Richard II
| Queen Anne
| Oxford (OUDS)
| William Shakespeare
| John Gielgud and Glen Byam Shaw
| David King-Wood and Florence Kahn
|
| April 8, 1936
| The Happy Hypocrite
| Jenny Mere
| His Majesty's Theatre, London
| Clemence Dane, Richard Addinsell and Max Beerbohm
| Maurice Colbourne
| Ivor Novello and Viola Tree
|
| June 22, 1936
| Henry VIII
| Anne Boleyn
| Open Air Theatre, Regent's Park
| William Shakespeare
| Robert Atkins
| Gyles Isham and C. N. Anson
|
| February 5, 1937
| Because We Must
| Pamela Golding-Ffrench
| Wyndham's Theatre
| Ingaret Giffard
| Norman Marshell
| Margaret Emden and Enid Lindsey
|
| March 11, 1937
| Bats in the Belfry
| Jessica Morton
| Ambassador's Theatre, London
| Diana Morgan and Robert MacDermot
| A. R. Whatmore
| Evelyn Ankers Ivor Barnard and Charles Hawtry
|
| June, 1937
| Hamlet
| Ophelia
| Kronborg Castle, Ensinor
| William Shakespeare
| Tyrone Guthrie
| Laurence Olivier, John Abbott, and Anthony Quayle
|
| December 27 , 1937
| A Midsummer Night's Dream
| Titania
| Open Air Theatre, Regent's Park
| William Shakespeare
| Tyrone Guthrie
| Robert Helpmann and Ralph Richardson
|
| September 13, 1938
| Serena Blandish
| Serena Blandish
| Gate Theatre
| S. N. Behrman and Enid Bagnold
| Esme Percy
| David Tree and John Teed
|
| May 9, 1940
| Romeo and Juliet
| Juliet
| 51st Street Theatre, New York City, also San Francisco, Chicago and Washington, D.C.
| William Shakespeare
| Laurence Olivier
| Laurence Olivier, Dame May Whitty, Edmond O'Brien and Cornel Wilde
|
| March 4, 1942
| The Doctor's Dilemma
| Jennifer Dubedat
| Haymarket Theatre
| George Bernard Shaw
| Irene Hentschell
| Cyril Cusack (later John Gielgud) and Austin Trevor
|
| April 24 1942
| The School for Scandal
(two scenes - one charity performance)
| Lady Teazle
| Haymarket Theatre
| Richard Brinsley Sheridan
|
| Cyril Maude
|
| Spring, 1943 for 3 months
| Spring Party - A Revue
| Herself and Scarlett O'Hara
| Tour of North Africa entertaining troops
| works by Lewis Carroll and Clemence Dane
| John Gielgud
| Beatrice Lillie, Dorothy Dickson and Leslie Henson
|
| May 15, 1945
| The Skin of Our Teeth
| Sabina
| Phoenix Theatre
| Thornton Wilder
| Laurence Olivier
| Cecil Parker and Joan Young
|
| September 11, 1946
| The Skin of Our Teeth (revival)
| Sabina
| Picadilly Theatre
| Thornton Wilder
| Laurence Olivier
| George Devine and Esther Somers
|
| February 14, 1948 to November 1 , 1948
| (1) Richard III
(2) The School for Scandal
(3) The Skin of Our Teeth
| (1) Lady Anne
(2) Lady Teazle
(3) Sabina
| Tour of Australia and New Zealand : Perth, Adelaide, Hobart, Melbourne, Canberra, Sydney, Brisbane, Auckland, Wellington, Dunedin, Christchurch
| (1) William Shakespeare
(2) Richard Brinsley Sheridan
(3) Thornton Wilder
| Laurence Olivier
| Old Vic Theatre Company including Laurence Olivier and Peter Cushing
|
| January 26, 1949
| (1) Richard III
(2) Antigone
| (1) Lady Anne
(2) Antigone
| opened at the New Theatre
| (1) William Shakespeare
(2) Jean Anouilh
| Laurence Olivier
| Old Vic Theatre Company including Laurence Olivier and Peter Cushing
|
| October 11, 1949
| A Streetcar Named Desire
| Blanche DuBois
| Aldwych Theatre
| Tennessee Williams
| Laurence Olivier
| Bonar Colleano, Renée Asherson, Bernard Braden and Theodore Bikel
|
May 10, 1951
*the two plays alternated nightly
| Caesar and Cleopatra
| Cleopatra
| St James' Theatre
| George Bernard Shaw
| Michael Benthall
| Laurence Olivier
|
May 11, 1951
*the two plays alternated nightly
| Antony and Cleopatra
| Cleopatra
| St James' Theatre
| William Shakespeare
| Michael Benthall
| Laurence Olivier
|
December 19, 1951
*the two plays alternated nightly
| Caesar and Cleopatra
| Cleopatra
| Ziegfeld Theatre, New York City
| George Bernard Shaw
| Michael Benthall
| Laurence Olivier, Robert Helpmann, Wilfred Hyde-White and Harry Andrews
|
December 20, 1951
*the two plays alternated nightly
| Antony and Cleopatra
| Cleopatra
| Ziegfeld Theatre, New York City
| William Shakespeare
| Michael Benthall
| Laurence Olivier, Donald Pleasence, Harry Andrews, Robert Helpmann and Wilfred Hyde-White
|
| November 5, 1953
| The Sleeping Prince
| Mary Morgan
| Phoenix Theatre
| Terence Rattigan
| Laurence Olivier
| Laurence Olivier and Martita Hunt
|
| April 12, 1955
| Twelfth Night
| Viola
| Stratford-upon-Avon
| William Shakespeare
| John Gielgud
| Laurence Olivier, Keith Michell, Mervyn Blake and Angela Baddeley
|
| June 7 , 1955
| MacBeth
| Lady MacBeth
| Stratford-upon-Avon
| William Shakespeare
| Glen Byam Shaw
| Laurence Olivier, Maxine Audley, Keith Michell and Geoffrey Bayldon
|
| August 16, 1955
| Titus Andronicus
| Lavinia
| Stratford-upon-Avon
| attributed to William Shakespeare
| Peter Brook
| Laurence Olivier, Maxine Audley, Frank Thring and Anthony Quayle
|
| April 25, 1956
| South Sea Bubble
| Lady Alexandra Shotter
| Lyric Theatre
| Noël Coward
| William Chappell
| Ian Hunter, Arthur Macrae, John Moore and Joyce Carey
|
| May 6, 1957
| Titus Andronicus
| Lavinia
| Tour of Paris, Vienna, Belgrade, Zagreb, Warsaw, followed by Stoll Theatre, London
| attributed to William Shakespear
| Peter Brook
| Laurence Olivier, Anthony Quayle and Maxine Audley
|
| April 24, 1958
| Duel of Angels
| Paola
| Apollo Theatre
| Jean Giraudoux and Christopher Fry
| Jean-Louis Barrault
| Claire Bloom (later replaced by Ann Todd and Mary Ure), Derek Nimmo and Peter Wyngarde
|
| July 9, 1959
| Look After Lulu
| Lulu d'Arville
| Royal Court Theatre, then New Theatre
| Feydeau translated by Noël Coward
| Noël Coward
| Anthony Quayle, Richard Goolden and Michael Bates
|
| April 19, 1960
| Duel of Angels
| Paola
| Helen Hayes Theatre, New York City
| Jean Giraudoux and Christopher Fry
| Robert Helpmann
| Peter Wyngarde, Jack Merivale and Mary Ure
|
Old Vic Overseas Tour
- Australia and New Zealand
July 12, 1961 to March 17, 1962
| (1) Twelfth Night
(2) Duel of Angels
(3) The Lady of the Camellias
| (1) Viola
(2) Paola
(3) Marguerite Gautier
| Her Majesty's Theatre, Melbourne
Her Majesty's Theatre, Brisbane
Theatre Royal, Sydney
Theatre Royal, Adelaide
Her Majesty's Theatre, Perth
Opera House, Wellington
Theatre Royal, Christchurch
Her Majesty's Theatre, Auckland
| (1) William Shakespeare
(2) Jean Giraudoux
(3) Alexandre Dumas
| all directed by Robert Helpmann
| repertory company including Jack Merivale
|
Old Vic Overseas Tour
- Latin America
March 29, 1962 to May 16, 1962
| (1) Twelfth Night
(2) The Lady of the Camellias
| (1) Viola
(2) Marguerite Gautier
| Mexico City, Mexico
Caracas, Venezuela
Lima, Peru
Santiago, Chile
Buenos Aires, Argentina
Montevideo, Uruguay
São Paulo, Brazil
Rio de Janeiro, Brazil
| (1) William Shakespeare
(2) Alexandre Dumas
| both directed by Robert Helpmann
| repertory company including Jack Merivale
|
| March 18, 1963
| Tovarich
| Tatiana
| Broadway Theatre, New York City
| Jacques Deval, Robert E. Sherwood, David Shaw, Anne Crosswell and Lee Pockriss
| Peter Glenville
| Jean-Pierre Aumont
|
| April 6, 1965
| The Contessa
| Contessa Sanziani
| closed after previews in Newcastle, Liverpool and Manchester
| Paul Osborn and Maurice Druon
| Robert Helpmann
| David Knight and Joseph Furst
|
| May 3, 1966
| Ivanov
| Anna Petrova
| Tour of United States and Canada, followed by season at Shubert Theatre, New York City
| Anton Chekhov, adapted John Gielgud
| John Gielgud
| John Gielgud, Ronald Radd and Jack Merivale
|
